Ser artista é odiar o tempo, uma frase que acabo de conceber para derrotar este miserável dia.

 

 

While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity.